MELON BALL. With an extensive and amazing track record of unique and imaginative performances featuring his curious instrument and copious amounts of originality, Mike Silverman, aka That1Guy, has set himself apart as a true one-of-a-kind talent that rivals any other artist currently in the entertainment industry. 8p—10p. $20
In addition to performing works by our own graduate student composers on this program, Ensemble PinkNoise—known for its contemporary improvisational performance practice—will perform its own program, featuring the open instrumentation work “Black as a Hack for Cyborgification” by Jessie Cox, alongside other works, on Friday, Apr. 14, at 5 pm. Program Zoë A. Wallace Max
Program Jessie Cox: Black as a Hack for Cyborgification About the Ensemble PinkNoise is a New York-based chamber ensemble who creates musical improvisation and compositions in acoustic and electronic mediums. Their pieces react and respond to the conditions of our community and our society. Each member of the ensemble is a performer, composer, and creator
PITZER CTR. A collaborative project of San Francisco-based composer-performers Nick Bacchetto & Ben Sabey. The duo creates new works for piano & live electronics using MIDI Polyphonic Expression instruments controlling analog modular synthesis, which is spatialized into any speaker configuration via the new Dolby Atmos renderer. Shinkoskey Noon Concert, 12:05p–1p. Free
Piece 1: Vessels (2015–2020) Pieces 2-3: from Fais de moi un instrument (2021) As a Stanford student, Grace Leslie imagined a new kind of electronic music. She wanted to engineer music to harmonize the brain with the nervous system. Leslie has continued to develop this brain-body music as director of the Brain Music Lab at Georgia Tech. As an active
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